Skip Homeier is an actor possibly best known for his role of Hunt Bromley in 1950’s The Gunfighter, also starring Gregory Peck. Before he became the young wannabe gunfighter at the age of nineteen, though, Skip was a child star billed as “Skippy.”
Skip was born George Vincent Homeier on October 5, 1930 in Chicago. As a child, he got his start in the entertainment business by lending his voice to local radio programs.
In 1943, Skip made it to Broadway and earned a breakout role in Tomorrow, The World, where his role was that of a young boy who has been indoctrinated with Nazi principles and beliefs. When the play was adapted for the screen, Skip was chosen to reprise his role as Emil, the troubled young boy who moves in with distant American relatives after his parents die. His Nazi beliefs cause him to clash with his new American family, and a whole lot of drama ensues.
Skippy’s big screen debut was released in 1944 and remains one of the most fascinating films ever crafted on the topic of World War II. It is not only a psychological exploration of a deeply scarred child, but also a social exploration of American attitudes toward Germany during wartime. When I saw Homeier’s performance as Emil for the first time, I was absolutely blown away by it. Homeier’s Emil is manipulative, angsty and quite an unsympathetic character. For an actor with no screen experience, Homeier’s presence in the film is incredibly strong. He had stage experience, of course, but translating that talent to film isn’t always an easy thing for actors to do. He makes it look effortless, and he does a great job of bringing a truly sinister edge to the character rather than overacting and turning the role into a parody.
Skip’s performance as Emil did unfortunately cause him to be typecast as a delinquent youth, even when he began to make the transition from child actor to young adult screen star. His next role, released in 1946, was as “Skippy” in a Western drama called Boys’ Ranch. The “Skippy” character is a sneaky little thief, not an incredibly far departure from the role of Emil, though “Skippy” is of course not a Nazi. Even in his next breakout film of The Gunfighter (he made a few films between Boys’ Ranch and The Gunfighter, but no major hits), his character has an edge in which the audience can see glimpses of Emil’s angst and brashness.
Skip has unfortunately become a forgotten talent to modern audiences. Very few of his films were major hits or have lasting legacies in the vein of Casablanca or Gone with the Wind. He was getting pretty consistent work in films during his time but not in films of great prominence, so eventually he made the smart move to split his time between film and television.
Homeier’s first television role was on an episode of “The Silver Theater,” a single-season series focused mostly on romantic teleplays. Later in his career, he would put even more of a focus on his television work, with increasingly frequent guest spots and more than a few recurring roles.
His first major recurring television role was on “Schlitz Playhouse,” where he appeared in six episodes between May 1952 and January 1955. Concurrently, he had recurring roles on “Lux Video Theatre,” “Studio One in Hollywood” and “Robert Montgomery Presents.” As his career progressed, Skip began very few film roles in favor of guest spots or short stints on TV shows like these.
Homeier did score two starring roles in narrative series, a departure from the variety and anthology programs in which he’d previously appeared. He played the title character in an NBC cop drama called “Dan Raven,” which ran in 1960 and 1961. Ten years later, from 1970 to 1971, he appeared as a part of the ensemble cast of CBS’ “The Interns,” a medical drama predating modern hits like “ER” and “Grey’s Anatomy.”
Skip continued working in both film and television after the cancellation of “The Interns,” eventually retiring after two final roles in 1982 (in the film Quell and Co. and an episode of “Quincy M.E.”).
My favorites of his television roles are three of those many guest appearances that he did:
Alfred Hitchcock Presents – “The Motive” and “Momentum”
I don’t want to give away too much about these because I’ll be including them in my Recap & React series eventually. I will say that Skip has a lead role in both — once as a man attempting to plan the perfect crime, and once as a money launderer. Both of these roles play into the “evil” persona that Skip was pigeon-holed into after appearing as Emil, as is to be expected of characters in a series like AHP, where every episode is full of liars and crooks. Both episodes were directed by Robert Stevens, one of the greats of AHP’s plethora of wonderful directors. Under the direction of Stevens, Skip’s talent to push these familiar characters beyond their barriers is even more apparent. He may have been typecast due to his performance as Emil, but he seems to never have really let himself play the same character twice; he brings something unique to each character.
One Step Beyond – “The Bride Possessed”
I did a full review of this episode back in March. It was one of the first things I saw from Skip’s filmography after seeing him in Tomorrow, the World, and I was incredibly impressed! “The Bride Possessed” is fantastic not only as an introduction to a fascinating science fiction series, but also a completely 360-degree turn for Skip in terms of character. Rather than a sneaky, evil or hard-edged man, here he portrays a sensitive husband who finds himself in peril when his wife begins exhibiting strange psychological systems.
Skip Homeier is still with us, but is no longer working as an actor. I was unable to find any information about what he’s doing now, but whatever it is I hope he knows how much his work as an actor is still appreciated, both in his first defining role of Emil and in every subsequent role.