Alfred Hitchcock’s The Man Who Knew Too Much at the Redford Theatre

(Image via franticfilms.blogspot.com)
(Image via franticfilms.blogspot.com)

This weekend’s Redford Theatre feature, screening on Friday and Saturday at 8 pm with an additional showing at 2 pm on Saturday, was Alfred Hitchcock’s The Man Who Knew Too Much (1956). Never one to pass up a Hitchcock screening, I also took the opportunity to continue converting my dad into a classic film fan. This is the third Hitchcock film we’ve seen on the big screen together — the others being Rope at the Senate Theater and Notorious at the Redford.


We interrupt our programming for a segment of “Dad Jokes” with TMP Sr.:

Upon arriving at the theater, my dad was puzzled: “They spelled ‘canoe’ wrong,” he said, looking at the marquee.

“Canoe?,” I thought to myself, now equally puzzled.

“See?,” he continued. “K-new.” He was expecting a completely different, non-existent film – The Man Who Canoed Too Much.


Famously, 1956’s The Man Who Knew Too Much is a remake of an earlier Hitchcock film of the same title, released in 1935. It is unusual for a filmmaker to remake their own work, but in Hitchcock’s own words, “Let’s say that the first version was the work of a talented amateur and the second was made by a professional” (TCMDb).

The Man Who Knew Too Much tells the story of, as an opening title states, “A single crash of Cymbals and how it rocked the lives of an American family.” That is, of course, an oversimplification. The film actually tells the story of an American family traveling in Marrakesh, who accidentally become involved with a spy and an assassination plot.

The film was preceded by a short organ concert. No shorts or cartoons were played this time around, making it a no-frills screening, but still every bit as enjoyable as my previous trips to the Redford.

The print screened at the Redford was a quite beautiful 35mm print, restored in 2005. Appearing in near-pristine condition, it was a real treat to see the film on film, having only previously watched it on DVD. There is nothing quite like watching a classic Technicolor film in all of its vibrancy on the big screen!

(Photo by Lindsey for TMP)
(Photo by Lindsey for TMP)

As for the film’s content, I appreciate the story more having seen it play out on the big screen — a common thread among my experiences of visiting the Redford and other revival screenings. Though not as immediately gripping as some of Hitchcock’s other films, The Man Who Knew Too Much has a number of great scenes — the scene in the taxidermist’s shop, Jimmy Stewart climbing out of a bell tower, and the stellar dialogue-free concert (in which Bernard Herrmann conducts an orchestra on-screen).

I must admit, I still prefer the earlier version of the film, contradicting Hitchcock’s own comparison of the two works. However, the 1956 version still has a lot to offer the viewer, including a stellar performance (and lovely music) by the legendary Doris Day and a bit of humor mixed in with the suspense.

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5 thoughts on “Alfred Hitchcock’s The Man Who Knew Too Much at the Redford Theatre

  1. Cool, Lindsey! I try to see Hitchcock films on the big screen whenever I can, and like you did above, I always take a photo of the marquee…a great one of the Redford, by the way. Loved your Dad’s joke, too…an entirely different film, if James Stewart played a fisherman who spends every day out on the lake, somehow caught in an assassination plot!

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    1. I want to get some of my marquee photos printed, make a little scrapbook of them along with the tickets or hang them up in the movie room. I can’t buy a shirt every time I visit the Redford (as much as I’d love to exclusively wear shirts with film posters on them), so the photos are a nice way to preserve the memories haha.

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      1. Yeah, a closet-full of Redford shirts could get a little pricey. I have photos of four Hitchcock film marquees from four theaters whose screenings I attended, in a frame in my apartment: Vertigo at the Plaza in LA, Psycho at the Ken in San Diego, North by Northwest at the Stanford in Palo Alto, and Psycho again at the Valley Art here in Arizona. An ongoing Redford scrapbook would be pretty cool, though.

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        1. Yeah, most of my Hitch screenings have been at the Redford. I do have Senate marquee pics too, though (not all Hitchcock), and a few other random ones from my travels. The real bummer is that I also attend free screenings at my local library, but they don’t have a marquee or give out tickets!

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          1. I HATE not getting tickets! I’ve saved all of mine dating back to the late-1970s; not sure what the point is of saving them, but I can’t bring myself to throw personal history like that away! And yes, I have a list of every movie I’ve seen, with theater and date and time, dating back to 1980!

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