FilmStruck Friday: Onna (aka Woman) (1948)

Welcome to this week’s edition of FilmStruck Friday! Every Friday here on TMP, with the exception of the first Friday of the month (which is reserved for “Favorite things about…”), we’ll be taking a look at a film available through the TCM and Criterion Collection streaming service. Today’s film comes from 1948 – Woman, directed by Keisuke Kinoshita. Happy viewing!

Toshiko (Mitsuko Mito) is a woman in post-war Japan working as a chorus girl. She’s been dating a man named Tadashi (Eitaro Ozawa), but she’s not too keen on the idea of staying with him. Tadashi isn’t exactly a man whose dealings are on the up-and-up, and Toshiko isn’t sure she wants to be a part of his criminal life.

Still, she agrees to take a train to the countryside to meet with him. What Toshiko doesn’t know is that Tadashi is on the run from the law, and doesn’t just want her to meet him in the countryside. He wants her to go on the run with him.

onna2

(Screen capture by Lindsey for TMP)

Onna, known in English as Woman, was written and directed by Keisuke Kinoshita.

Onna intrigues the viewer from the beginning, opening with a mesmerizing stage performance and then leading into Toshiko’s meeting with Tadashi. Tadashi is a very forceful man, and seems to be a guilty criminal.

When Toshiko is forced to go on the run with Tadashi, the film becomes very suspenseful. Their journey could go wrong in many ways, at any minute. It also becomes clear that Tadashi has tried to control Toshiko’s life long before this run-from-law road trip, which is heart-wrenching.

The viewer becomes very empathetic to Toshiko’s predicament, and very emotionally invested in the film. Mitsuko Mito’s performance is very effective and, along with the story, contributes greatly to the viewer’s engagement with the story.

Toshiko’s desperation to free herself from Tadashi lends a claustrophobia to the film as well, even when the pair is traveling through open fields.

onna1

(Screen capture by Lindsey for TMP)

The film focuses wholly on these two people. While others appear and have maybe a handful of lines, the film devotes itself to its central characters and their relationship. It’s simple, but incredibly effective storytelling.

Just as with the first Kinoshita film I watched, Waga koi seshi otome, Onna features fantastic photography and use of music. I’m sensing this will be a common compliment as I continue to explore his filmography!

In just over an hour, Onna manages to offer up an on-the-run thriller, an exploration of the lasting impacts of war, a discussion of good and evil, and a story of a toxic and abusive relationship. Wrapping it all up with a high-drama ending, Onna is absolutely worth a watch.

Advertisements

8 thoughts on “FilmStruck Friday: Onna (aka Woman) (1948)

  1. Todd B says:

    You’re finding a lot of good movies on FilmStruck…trust me, I’ll be signing up soon (and cancelling Netflix when I do). I love ‘man/woman on the run’ movies, so I’ll definitely check this one out.

    Like

      • Todd B says:

        Do you know if they remove movies from streaming every month, like Netflix does? I tried to watch ‘That Touch of Mink’ earlier this week, so we could compare reviews, and it was gone. I’m tired of losing movies in my queue all the time, so Netflix is history at the end of the month, and FilmStruck will get a two-week trial run!

        Like

        • Lindsey says:

          I’m not sure. I’ve noticed new titles added (part of the reason my queue keeps growing, haha), but nothing has disappeared from my queue since I joined. I’m sure they do remove titles now and then but at nowhere near Netflix’s “streampocalypse” rates!

          Like

          • Todd B says:

            Ha! If I write a post about my cancellation, I’m using ‘streampocalypse’ in a sentence (with your permission, of course!). Thanks for the info…FilmStruck coming soon to CM!

            Like

            • Lindsey says:

              Feel free to use “streampocalypse” haha, I can’t take credit for coining that one! After looking into it more, it appears titles are removed weekly, but only from the FilmStruck half of the library. Criterion Channel titles stick around. So if you plan some of your viewing using the soon-to-expire list in the help section and get the $10.99/mo or annual plan, you shouldn’t have to worry too much about disappearing titles.

              Like

Comments are closed.